This blog explores why Suzie Miller’s Inter Alia feels like such an important play for our moment. Ostensibly a legal drama about a judge whose son is accused of rape, the play becomes a powerful meditation on middle class family life, emotional labour, modern masculinity and the hidden pressures faced by professional women.
Drawing on Rosamund Pike’s extraordinary performance as Judge Jessica Parks, the blog reflects on the contradictions at the heart of contemporary liberal family life. Jessica is professionally authoritative, intellectually formidable and morally serious, yet privately overwhelmed by the demands of motherhood, marriage and emotional responsibility. The blog examines how the play exposes the unequal burdens still placed upon women, even within supposedly progressive households.
It also considers the play’s exploration of boys, pornography, internet culture and the rise of the manosphere, asking how young men are shaped by online misogyny when fathers remain emotionally distant and mothers are stretched to breaking point. The gradual disintegration of the family home on stage becomes a metaphor for the emotional fragility beneath polished middle class success.
Combining personal reflection, cultural criticism and close attention to the production’s staging and themes, the blog argues that Inter Alia is not simply about rape culture or the legal system. It is about exhaustion, guilt, intimacy and the emotional cost of trying to “have it all” in contemporary Britain.
The piece will particularly resonate with parents, teachers, therapists, academics and anyone interested in feminism, theatre and modern relationships.
Simon Stone’s new adaptation of Ibsen’s The Lady from the Sea at the Bridge Theatre, starring Alicia Vikander and Andrew Lincoln, is exquisite and psychologically nuanced — yet something vital has ebbed away. In translating Ibsen’s Fruen fra havet into modern English realism, the production trades myth for therapy, danger for empathy. This article explores five lessons the original still teaches us (about desire, freedom, landscape, symbolism, and voice) and what is lost when we tame the sea into a lake.