I wrote this blog in response to The Ballad of Wallis Island, a quietly beautiful film that spoke to something deep in me, as a writer, teacher, and person drawn to stories of retreat and reckoning. Watching it reminded me that we all carry a kind of island within us: a place where our creative…
🎙️ I wrote this blog and recorded this Mindful Learning Podcast episode because I believe the arts are a powerful, often overlooked force for real social change. In conversation with Dr Miranda Matthews, we explore how creative practice can help us respond to the climate crisis, amplify marginalised voices, and transform education from the ground…
🦒🦊🐆 What kind of parent are you when it comes to your child’s education? I’ve spent decades working in education, as a teacher, author, and now as Dr Francis Gilbert, Head of Education at Goldsmiths, University of London. I’ve written two books for parents about navigating schools, Parent Power and Working the System, and while…
🖋️ “It didn’t have to be clever. It just had to be true.” At a recent MA Creative Writing and Education sharing day, alumna Maryam Ahmadi led a powerful storytelling session exploring how fables can carry emotional and moral truths that essays and arguments often can’t. The bold linocut-style image here captures the spirit of…
I wrote this blog after reflecting on The Salt Path by Raynor Winn and its powerful impact, not just as a personal story, but as a case study in how publishing shapes truth, healing, and cultural desire. Drawing on over a decade of teaching creative writing and publishing, I explore what the book teaches us…
What happens when the story you loved starts to shift? In this piece, I explore Raynor Winn’s recent public defence of The Salt Path—a statement both moving and evasive. While condemning the abuse Winn has received, the article interrogates what her response reveals (and conceals) about the ethics of memoir. Did the omissions distort the…
In my last post, I explored Thirteen Ways of Looking at The Salt Path. This follow-up dives deeper. Raynor Winn’s The Salt Path moved many. But recent reporting has raised ethical questions about omission, accountability, and the seduction of “emotional truth.” What are the responsibilities of the memoirist—especially when their story brings them sympathy, sales,…
What happens when we stop judging our writing—and simply listen? In this new blog post, I reflect on a recent workshop where writers used mindfulness to unlock voice, memory, and emotion. Together we explored how freewriting, object meditation, and mindful noticing can transform both what we write and how we feel about writing. Participants wrote…
I wrote this blog because, like so many readers, I had been profoundly moved by The Salt Path and felt shocked and saddened by the revelations in The Observer’s investigation. My piece, Thirteen Ways of Looking at The Salt Path, reflects the emotional complexity of this moment. It explores how we process betrayal, how beauty…
I wrote this blog because so many parents still aren’t getting the support they need. As the author of Parent Power and Working the System, and a long-time advocate for families, I’ve seen just how powerful parenting support can be — when it’s done well. Too often, the help that really works is hidden behind…
What does it mean to teach English with creativity, care, and courage in 2025? At this year’s NATE (National Association for the Teaching of English) conference, I joined a passionate group of teachers, academics, publishers, and educational innovators, some seasoned, others just starting out, to explore that very question. In this new blog post, I…
I wrote this piece after finishing Faking Hitler, the German drama now streaming on Channel 4. It’s a gripping, ironic, and surprisingly funny retelling of the Hitler Diaries scandal, a real event where forged Nazi documents were sold to Stern magazine in the 1980s. What drew me in wasn’t just the slick production or the…
Earlier this year, I completed the Breathworks mindfulness teacher training—a rigorous and transformative journey rooted in compassion, embodiment, and lived experience. As part of the training, I led the Mindfulness for Stress course at Goldsmiths. It taught me something simple but profound: mindfulness isn’t something you explain. It’s something you do—together. The course invites people…
Let Poetry Jump Up: Five Powerful Ways to Teach Poetry I wrote this blog after attending a fantastic workshop led by the brilliant Fiona Plant, a warm and inspiring poetry educator. Her session was a powerful reminder of how poetry can create joy, connection, and confidence in the classroom. Fiona shared five inclusive, creative approaches…
In this practical and thought-provoking article, I reflect on a brilliant CPD session led by writer and teacher Niall Bourke as part of the MACWE summer programme. Niall offered a masterclass in how to teach creative writing in ways that are emotionally rich, structurally sound, and genuinely original. The article outlines five key takeaways that…
I just published a blog about the stage version of North by Northwest at Alexandra Palace—and how it reimagines the Hitchcock classic as a theatrical ballet of identity, storytelling, and existential suspense. I’ve watched the film countless times, but this adaptation helped me see it in a whole new way. With a minimalist set (four…
On LBC with Matthew Wright, I explained why VAT on private school fees is a fair and vital policy. It ends an unjust tax break, redirects funding to state schools, and encourages social integration. As a teacher, parent, and advocate for mindful education, I’ve seen how this can build a fairer system. Read more and…
I recently recorded a very special episode of the Mindful Learning Podcast with my son, Theo. We went on a long car journey and ended up reflecting deeply on his education—from private prep school to state primary, local comprehensive to sixth form college, and beyond. He’s now a singer-songwriter and on the Civil Service Fast…
If you’re teaching or studying Shakespeare’s ‘Romeo and Juliet’, you’ll know that essays about the family feud often hover around a Grade 4, 5 or 6—what examiners might call ‘middling’ or ‘competent’ responses. But with a few targeted improvements, these essays can be transformed into top-grade responses. I’ve updated one of my most popular blog…