This October, as autumn mist drifted across London, our MA Creative Writing and Education students embarked on two journeys that revealed how creativity grows wherever attention is cultivated — one in the British Library, the other in a South London garden. At the British Library, students began by getting their Reader’s Passes, a small but symbolic act of entry into a world of ideas. Each went on a quiet quest to find a book, manuscript, or object that spoke personally to them. One student of Mauritian heritage discovered colonial-era texts that illuminated her island’s past; another, from India, was drawn to the gleam of jewellery that recalled her grandmother’s only inheritance — her bangles. These encounters sparked reflective, poetic responses, showing how archives can awaken ancestral memory and imaginative connection. Later that week, the group met Ian, the Head Gardener — @theelephantgardener — who, with volunteers and modest grants, has transformed an estate’s communal garden into a flourishing haven of rhubarb, roses, and vegetables. The students weeded, listened, and wrote, finding that creative writing, like gardening, begins with observation and care. Both experiences taught us that creative writing doesn’t belong only to the elite or to “literary” spaces. It is a democratic, sensory practice that helps us connect — with the past, with nature, and with one another. Like Keats’s “Season of mists and mellow fruitfulness,” October reminded us that writing and gardening share a rhythm: gathering what’s ripe, planting what’s next. The writers are now planning projects to use libraries and gardens as creative classrooms — helping children, elders, and communities to grow stories from the soil beneath their feet.
Begin with breathing, end with agency Our recent CPD, run by the British Ecological Society, the Centre for Arts and Learning, the MA in Art and Ecology, and the PGCE Art and Design programme at Goldsmiths, brought together teachers, artists, and ecologists to explore how mindfulness and creative pedagogy can help students reconnect with the natural world. We began simply, with a 7–11 breathing pattern, in for seven, out for eleven, and the room shifted. Teachers found themselves calmer, more attentive, and ready to imagine. A guided visualisation led participants into remembered or imagined parks, awakening ecological awareness. One delegate described how “thinking about ecology in architecture always meant thinking about care, what lives around our buildings.” From that mindful pause grew dialogue, drawing, and story. Participants wrote, sketched, and mapped experiences of safety, resilience, and belonging. Multimodality helped everyone find a voice, whether through words, images, or textures, and teachers began to see how pupils could express complex feelings about public space. Stories carried particular weight. The tale of the cracked pot, a vessel that leaks water and nurtures flowers on its path, became a metaphor for resilience and repair. Teachers shared their own narratives of strength and imperfection, connecting personal reflection with community action. By the end, delegates were planning how to adapt these approaches in their own settings, mapping safe routes with pupils, collaborating with councils, and gathering data to balance perception and reality. Change, we realised, does not arrive as a slogan but travels through networks of small, mindful acts. As I suggest in The Mindful Creative Writing Teacher, small rituals of attention such as breathing, noticing, and creating build agency. They help us move from reflection to action, from seeing to doing, with care.
Simon Stone’s new adaptation of Ibsen’s The Lady from the Sea at the Bridge Theatre, starring Alicia Vikander and Andrew Lincoln, is exquisite and psychologically nuanced — yet something vital has ebbed away. In translating Ibsen’s Fruen fra havet into modern English realism, the production trades myth for therapy, danger for empathy. This article explores five lessons the original still teaches us (about desire, freedom, landscape, symbolism, and voice) and what is lost when we tame the sea into a lake.
I recorded this episode of the Mindful Learning Podcast with Anthony Cockerill, director of the National Association for the Teaching of English (NATE), because I believe English teachers have so much to teach us beyond the classroom. Our conversation was a chance to explore what reading, writing, and language mean for all of us as human beings, not just for students in schools. Anthony spoke passionately about the life-changing power of reading for pleasure, the way writing can help us respond to and reflect on life, and the importance of valuing every community’s language. He reminded me that stories shape who we are and that teaching thrives best in community, not in isolation. These are not just classroom lessons — they are life lessons. I wanted to share this podcast because, at a time when education is often framed in narrow, utilitarian terms, we need to remember the broader value of English. Reading, writing, and language are not luxuries; they are ways of being human, of building empathy, resilience, and imagination. Listen to the full conversation and read the blog here: 👉 https://www.francisgilbert.co.uk/2025/09/five-things-english-teachers-can-teach-us-about-reading-writing-and-living/
If you’re reading this on Instagram, please paste the link into your browser to access the full article. In the latest Mindful Learning Podcast I spoke with therapist Bradley Riddell about what therapy is really like. We explored why therapy is never one-size-fits-all, why humour and trust matter, and how clients often already carry the resources they need. As Bradley told me: “Being in the room, you’re already leading the client to a collaborative venture… If you don’t respect the sanctity of the person sitting in the chair with you, you’ve no business being in the therapist’s chair.” Read the blog “7 Things You Should Know About Therapy” for the full write-up, including Bradley’s insights and references to leading thinkers like Janina Fisher, Carl Rogers, and Aaron Beck.
Reflections from my LBC Breakfast Show with Matthew Wright (31 August 2025) This morning I spoke with Matthew Wright on LBC Breakfast about the school attendance crisis. Matthew warned: “Poor school attendance is a red flag for all manner of problems down the road—lower happiness, worse job prospects, even higher chances of encountering the criminal justice system.” I argued that punishment and fines won’t fix the issue. As I said: “These groups feel really shut out of school—it’s too academic for them in many ways. We need to make sure all of our children get a rounded education.” Music, drama, sport, and enrichment are not extras, they’re essentials. They give young people a reason to turn up and thrive. 👉 If you’re reading this on Instagram, please paste the link into your browser to access the full article on francisgilbert.co.uk .
Reflections from my appearance on LBC Breakfast Show, 21 August 2025 This morning I joined LBC’s breakfast show (with a stand-in presenter for Nick Ferrari) to talk about GCSE results day, inequality, and what parents can do to help their children succeed. It was a wide-ranging, challenging conversation that touched on poverty, parental support, and the pressures on teachers. In my blog I’ve shared five key things parents should know: from why home support matters more than class, to how daily routines and resilience make a real difference. I wanted to write this piece to distil what we discussed on air, connect it to the research, and offer something useful for parents navigating the anxieties of results day. You can read the full article here: www.francisgilbert.co.uk If you’re reading this on Instagram, please paste the link into your browser to access the full article. #LBC #GCSEResults #Education #ParentalSupport #Inequality #Teaching #FrancisGilbert #MindfulParenting #ParentingTips
What does freedom of expression really mean in 2025? On August 5th, I attended a deeply thought-provoking event hosted by Index on Censorship at St John’s Church, Waterloo, where my wife Erica Wagner was one of the speakers. The panel launched the new Index issue titled Land of the Free? and gathered journalists, editors, and activists to reflect on Donald Trump’s legacy and the erosion of civil liberties across the US and UK. From SLAPP lawsuits to the criminalisation of protest, the conversation reminded us that freedom is not a given: it must be defended, questioned, and collectively sustained. This blog distils seven key lessons I took away from the night, ranging from the legacy of the War on Terror to the global assault on so-called “woke” values. #FreedomOfExpression #IndexOnCensorship #LandOfTheFree #ProtestRights #SLAPPs #CultureWars #Democracy #WritersLife #PoliticalWriting #CreativeNonfiction #EricaWagner #FrancisGilbert #HumanRights #SpeakUp #UKPolitics #USPolitics
I wrote this blog in response to The Ballad of Wallis Island, a quietly beautiful film that spoke to something deep in me, as a writer, teacher, and person drawn to stories of retreat and reckoning. Watching it reminded me that we all carry a kind of island within us: a place where our creative selves, our ghosts, our pasts and possibilities gather. The film’s setting, tone, and themes of faded fame, broken love, and slow healing made me reflect on what happens when we stop performing and start listening; to others, and to ourselves. That inner island became a metaphor I couldn’t shake. The blog explores this in depth, ending with a poem and a creative visualisation for those wanting to travel inward themselves. Writing it helped me rediscover a part of my own creative practice. I hope it does something similar for you. If you’re reading this on Instagram, please paste the link into your browser to access the full piece at www.francisgilbert.co.uk
🎙️ I wrote this blog and recorded this Mindful Learning Podcast episode because I believe the arts are a powerful, often overlooked force for real social change. In conversation with Dr Miranda Matthews, we explore how creative practice can help us respond to the climate crisis, amplify marginalised voices, and transform education from the ground up. We talk about art as participation, not performance; about murals in schools and selkie suits in seal sanctuaries; and about how storytelling and small actions ripple outwards. 🖼️ This one’s for teachers, artists, students—and anyone wondering how creativity can make a difference. 👉 Read the blog and listen to the podcast: https://www.francisgilbert.co.uk/2025/07/five-ways-arts-practice-can-facilitate-social-change If you’re reading this on Instagram, please paste the link into your browser to access the full article and audio. #MindfulLearningPodcast #ArtsForChange #CreativeEducation #FrancisGilbert #MirandaMatthews #EcologiesInPractice #Goldsmiths #ArtsAndLearning #ClimateJustice #CriticalPedagogy #StoryOfChange
🦒🦊🐆 What kind of parent are you when it comes to your child’s education? I’ve spent decades working in education, as a teacher, author, and now as Dr Francis Gilbert, Head of Education at Goldsmiths, University of London. I’ve written two books for parents about navigating schools, Parent Power and Working the System, and while they’re over a decade old, revisiting them recently reminded me how little has changed. The system is still confusing. The stakes are still high. And parents are still left feeling overwhelmed by league tables, playground gossip, and hidden admissions rules. That’s why I’ve created this quiz. It’s short, fun—and surprisingly revealing. You’ll discover your instinctive parenting style when it comes to education. Are you a Giraffe? A Fox? A Wildebeest? Each result comes with advice you can actually use. 🎯 It’s more timely than ever—because your approach as a parent really does shape your child’s experience at school. 📥 Take the quiz and download the free printable version from my website. 👉 If you’re reading this on Instagram, you’ll need to paste the link into your browser to access the full article and quiz. #Parenting #SchoolAdmissions #EducationMatters #ParentPower #FrancisGilbert #Goldsmiths
🖋️ “It didn’t have to be clever. It just had to be true.” At a recent MA Creative Writing and Education sharing day, alumna Maryam Ahmadi led a powerful storytelling session exploring how fables can carry emotional and moral truths that essays and arguments often can’t. The bold linocut-style image here captures the spirit of the session: a teacher and group of students surrounded by symbols of learning and connection—a heart, a lightbulb, a book, and leaves. A chalkboard shows the simplest of equations: 1 + 1, reminding us that real learning is reciprocal. When we share stories, we’re not just transmitting knowledge—we’re transforming one another. Maryam began by reading Patrick and Flippa, a deceptively gentle children’s book about a lonely polar bear and a persistent penguin. The group then wrote their own fables, revealing themes of exile, regeneration, defiance, and hope. One participant wrote about a deer who could only speak in questions. Another told of a fish who forgot how to swim in clean water. These were not writing exercises. They were acts of quiet truth-telling. 💡 As one attendee put it: “It’s easier to say something difficult through the story of a fox. You get closer without flinching.” 📚 This workshop was part of the MA in Creative Writing and Education at Goldsmiths, University of London—a unique programme where writers become educators, and educators deepen their creative practice. 🔗 Find out about the MA: www.gold.ac.uk/pg/ma-creative-writing-education/ #MACreativeWritingAndEducation #GoldsmithsUniversity #StorytellingAsPedagogy #MindfulTeaching #Fables #CreativeWritingWorkshop #WritingToHeal #WritingToLearn #RadicalPedagogy #TeacherWriter #ReciprocalLearning